The play 'Amlet Machine' is a convergence of all the poetic, philosophic and aesthetic points of view of the writer. Here, the person as a theatrical material, tries in vain the biosis of the dialectical relation with History through his detachment and his distance from it. Here we have the domination of the main M?llers element, the Time, which consists the same the underground flow of this play. In this shaft of Time, the theatrical element intervenes that through cross sections and fragmentations it leads to the same the inefficiency of the theatre and even more in the self-suppression of the writer. A performance, which tries to escape from the conventional choices of the public stages, giving the audience the chance to discover a pioneer poet, philosopher and theatrical writer. A peculiar theatrical play, full of revolutionary and allegoric messages with pessimism and upsetting as the prevailing tone.