The Two Traps: In the play we see a popular type, a night watchman in a storehouse, talking to us about his life, having for company a mouse, which falls in a trap. This single hero of the play is a man mentally alienated, victim of a heartless social structure and mentality, trying to weigh it through memories and ascertainment. The writer deals with the worst case of an unlucky man, aiming at presenting the fatalistic side of the Greek reality and describe the existential anxiety of a trapped man by the difficulties and defeat, placing directly the problem in the social conditions responsible for the hero's sad state.Small Tragedies: The writer comments with cynicism and sarcastic irony the social institutions and relations, through brief sketches who remind us snapshots of a photography. Closer to the photographic technique and with very few signs of the theatrical element, the writer reveals a deep introspective and pessimistic disposition, a lack of participation and human contact. A spectrum of metaphysical anxiety pervades its images, as its characters are attracted as marionettes from forces that they cannot control. The writer has excluded his heroes in a dark corner and psychoanalyzes them with a sadistic humour, using figures, impersonating its personal ideas.