Critical Stages

This paper seeks to explore the new landscape that has emerged during the period of the so-called “corona crisis” within arts (cultural) journalism, focusing specifically on theatre reporting and theatre reviewing. Drawing examples from the Greek and international print and online media, I aim to show the extent to which the sudden pause of artistic life and the rules of social distancing have reshaped not only the contents, formats and genres of journalistic writing for the arts, but also the very essence of the notion of cultural event and cultural news.