". . . Through Euripides 'Medea' we tried to find light in a dark play. This performance does not attempt to present a certain outcome but a research procedure based on one of the darkest plays of world theatre repertoire. It is a performance on how twenty people communicated on the solid ground of ancient Greek tragedy. Still, it is something more, a performance on the meeting ground of two civilizations, because these people were not all Romanian. There was a stranger among them, a Greek man, a foreigner in a foreign country just like Medea. . ." Yannis Paraskevopoulos